Surprising Horizons

The Joy of Travel. The Realities of New Experiences.

Month: August 2017

Foo Fighters Live in Singapore August 2017

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I remember unwrapping the cellophane from around the cassette of the Foo Fighter’s first album. I bought it from a shop. A real shop. With real Irish bank notes. The year was 1995, after all. A lot has changed.

Still smarting from Kurt’s violent departure from this mortal coil I remember being intrigued and excited with what the shaggy haired drummer from Nirvana could do. Nothing much naturally, right? Wrong.

The album cover’s weird off-world retro laser gun promised…something. Even the band’s name “Foo Fighters” was weirdly attractive. Published by Roswell Records. Everything was alien friendly connected. Fun? I think so. Inviting? Very much…

“This Is A Call” set the tone from the get go on that first Foo’s album. Fuzzy, distorted guitar riffs and jangly pop-rock vocals adorned Dave Grohl’s first Foo Fighter’s album (worth to note; he played all the instruments on it). The evolution throughout their following 7 studio albums was sometimes a little stunted but always head(bang)ing forward with delivering rock n’ roll in abundance.

And so it was that the Foo’s first concert in Singapore in over 20 years started off with that first album’s second track “I’ll Stick Around”. A fitting start in many many ways. The pace rampaged on for the next 3 songs with “All my Life”, “Learn to Fly”, and “The Pretender” following in manic succession. The pace subsided welcomingly with an emotional sing-along of “Big Me”. Someone was cutting onions somewhere.

Foo Fighters Setlist National Stadium, Singapore, Singapore 2017, Concrete and Gold Tour

The Foo’s back catalogue is spread out throughout their set and is represented well. One must admit though that the songs from “Sonic Highways” sound less cohesive and composed when they stand together with more accomplished and polished songs from other albums.

 

 

A word on Mr. David Grohl. Impressive.

Ok, more than one word. Funny, powerful, sincere. His screaming delivery has never sounded better and his stage presence is second to none. Which is good because there’s not a lot of activity with the other band members other than a frenetic and grimacing Taylor Hawkins on the drums. Their musicianship speaks for itself though without any added histrionics needed. Nate Mendel’s swirling bass holds up many a song throughout the night.

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The National Stadium is a fine venue for a concert and it seemed to be organised well but I never buy beer at these events anymore so I can’t speak for waiting times to get drinks and food. Plenty of transportation options abound too and memories of Guns N Roses at Changi Exhibition Centre are fading….slowly….

Yayoi Kusama Exhibition in Singapore

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I had never heard of Yayoi Kusama.

If you were to look at her artwork you would think it was the work of a ubiquitously happy hippy permanently tripping through the sixties. You would be wrong. Quite a bit wrong. But not at fault.

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You see, to experience Yayoi Kusama’s art work is to take your eyes and brain on a visual picnic in a meadow of naturalistic patterns and vibrant colours. At first, without knowing Kusama’s background, you see an optimistic contentedness with the world around her; a celebration of life and its multicoloured existence.

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To delve deeper, uncomfortably deep one might say, and you will see a newer dimension to her art. One seeped and centred around her mental illness; Kusama has suffered from intense audio-visual hallucinations since childhood. In fact, her art work can be summed up no better than from the woman herself:

My art originates from hallucinations only I can see … All my works in pastels are the products of obsessional neurosis and are therefore inextricably connected to my disease.

With her infinity nets series composed of many miniature circles or dots (and much of her art balancing precariously on a scaffolding of dots) Kusama leaves next to nothing to the imagination. Strong (and perhaps aggressive) patterns invade everything in life; like hallucinations have invaded hers. “Polka dots symbolise disease” Kusuma has said.

I found it interesting the title of this exhibition is a little light-hearted “Life Is The Heart Of The Rainbow”, almost comes across a little dismissive of Kusama’s mental illness and the saga that resides behind her art. Perhaps that initial joy at experiencing the art is what the National Gallery wanted to remain with the viewer. You can’t fault them for taking that approach I suppose. “Art As A Result of Terrifying Hallucinations” just wouldn’t bring the families flocking.

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You leave the exhibition with an un-nerving sense of joy at the art you have witnessed but the fact that Kusama is living out the rest of her life in a psychiatric asylum (voluntarily) weighs heavy on the mind; like a net trawling through deep waters of patterns.

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