Surprising Horizons

The Joy of Travel. The Realities of New Experiences.

Tag: 2018

Iron And Wine Live in Singapore 2018

Source: Instagram @minniebean

On a forgotten and cold January evening back in 2008 after a long day at work I took two trains from mein Zuhause in Düsseldorf through Köln HbF to Koln-Nippes. The destination was the Kulturkirche Köln and an Iron and Wine performance. The fact that I almost fell asleep standing up was not entirely up to Sam Beam’s lullaby-ish crooning vocals slathered atop soothing drifting melodies. As I mentioned it was a long day at the office and the venue was manically centrally heated (which was unusual for an ex-church). The commute was a killer too.

After writing all that out I now realise that I actually saw Iron and Wine along with Calexico in Krefeld (on the back of their collab album In The Reins) which is a little northwest of Düsseldorf back in 2006. From what I remember I had a sick stomach. So, man, I have not had a lot of luck with watching Iron and Wine.

So I was happy to test out my stamina and sickness levels now in 2018 in Singapore after a long day at work to see Iron and Wine again. Ten years later. At least there would be air-con to keep me sitting up-right. But sitting is more conducive to sleeping so I was worried.

Before getting into the concert allow me to….allow myself…a minute to dissect why I like Iron and Wine. I have no clue how I got into them. Their first release The Creek Drank the Candle in 2002 was followed up in 2004 by Our Endless Numbered Days. I guess Iron and Wine just clicked with me on an emotional level; most of the songs are melancholic and soothing. I think I needed that type of music in my listening repertoire. Songs like Sodom, South Georgia, Bird Stealing Bread, and Love and Some Verses still stand out to me as meaningful over 16 years later. I’ve lost track somewhat of Iron and Wine’s offerings from 2009 or so on (the last album I remember delving into was 2007’s The Shepherd’s Dog and then I just lost track) until 2017’s Beast Epic but I’ve put in some listening time recently to get back into the Iron and Wine listening mood. There is a mood involved. It’s not work-out music.

So to the concert then. The last time I was in the Capitol Theatre was to watch The Force Awakens. It’s an historic theatre which dates back to 1930 or so and has been renovated numerous times with the last face-lift taking place only a few years ago. There are no food or drinks available once past the ticket collectors. The sound seemed to be very good. The seating is quite flat so you end up craning your neck around whoever sits in front of you.

Iron and Wine came on stage with a subtle musical nod. Starting off with the meandering Trapeze Swinger the scene is set for the rest of the night. Sam Beam’s vocals are like polished wood. Not mahogany or something heavy; more like willow or ash. Yeah, that’s it. His vocals carry each song to places where they wouldn’t go without him. He is a great talent and it was a pleasure to hear him perform.

But wait. I had a problem with the performance.

It’s just that every song is warped into new and weird melodies and in different keys to the studio albums. I love live music and I appreciate artistic expression but I’ve never witnessed any artist radically change the melody so much as Iron and Wine. Bird Stealing Bread, which is one of my favourite songs, lost it’s sweet chorus line which brings together the song beautifully. The live version just aimlessly went along with no central hook. Does Fever Dream really need to plod along any slower? It’s one of Iron and Wine’s slowest songs on track and the live version just stretches it out and again the melody gets warped into something unrecognisable. Call me old fashioned but I want a live version of the album song. Sure, tweak it a bit but don’t make it a mutant.

Anyway, that’s my gripe but I did enjoy the night. Musically it was very polished and Sam Beam’s voice is something to behold live (even if it’s a twisted version of the album songs!).

I will leave you with two versions of Bird Stealing Bread and you can decide which one works better.

Stereophonics Live in Singapore 2018

I donned my ranger’s jacket, compass, backpack, hiking boots, and a grimace to make my way over to the far west of Singapore to catch Stereophonics this week. The [email protected] in Jurong East has become a popular event venue in recent months for small to medium bands to visit. A lil’ out of the way for the core city citizens but off I went.

Again, as I’ve been in Singapore for what I would call an expanded stretch of time this was the second chance I got to see Stereophonics in Singapore. The first time was way back in the nose bleeds of 14th August 2013 surrounded by the humid green confines of Fort Canning park on the back of their Graffiti On The Train tour. The [email protected] venue is an interesting one; it’s on the third floor of a department store. “Where are they playing? In the kitchen appliances section?” I quipped to nobody as I escalated my way through household sundries. I was wrong, the event hall is nearest to the sofa set section.

Stereophonics put on a good show. It’s all on the shoulders of Kelly Jones’ vocals it has to be said. If he caught a bad virus that ruined his vocal chords somehow that would not be good for them in the long run. His voice can be raspy and melodic, soulful and soft, high-pitched and sweet. All at the same time.

Their songs have amassed over time like stones (not the Rolling Stones, just stones). Their albums have been rolled(!) out every two years since 2013’s …Train. Before that there was a 4 year break back to 2009’s Keep Calm and Carry On which had been their last release in their first series of pumping out albums every two years (Pull the Pin 2007, Language.Sex.Violence.Other 2005, You Gotta Go There To Come Back 2003, JEEP 2001, Performance and Cocktails 1999, and Word Gets Around 1997). That’s some regular workflow right there but perhaps that 4 year break was good as 07’s and 09’s releases are probably the weakest in their tome..

Anyway, the concert. Very good. Great pace and a great mix of the better parts of their back catalog. Starting off with a couple of the more recent hits they get into their set-list with a laid back swagger. C’est La Vie, in particular, getting the size nines a tappin’. They dip forward and back in time throughout the main body of their show and it’s quite a confident selection of standout songs from their oeuvre. Stand outs for me were Have A Nice Day, Step On My Old Size Nines, Grafitti on The Train, and Traffic. Which is quite a varied selection from over the years. One song which was played due to technical songs was Bill Davey’s Daughter (which can be a major highlight of their set list if they wish) which rarely gets a run out usually. Nice.  It has to be said a Stereophonics songs are best when Jones can spill his emotional guts out with his amazing vocal range and all these songs are prime examples of this.

Rounding out the main set list were a trio of older classics that take me back to 1999 and college in Dundalk. The aforementioned Traffic, Just Looking, and Local Boy In The Photograph. I slipped back to the back for a sneaky taxi run as I knew they only do a two song encore (thanks setlist.fm). Their usual encore are the raucous Bartender and the Thief followed by the sweetly sugared pumped up rock love song Dakota. Both excellent send off songs.

SETLIST

Stereophonics Setlist Zepp@BigBox, Jurong East New Town, Singapore 2018, Scream Above The Sounds

 

 

 

 

 

 

 

 

 

And an official live version of “Have A Nice Day”

Have a nice day.

Checking out the Singapore Airshow 2018 For Free!

Well not exactly, but if all you want is to check out the fly-bys and performances that happen for a few hours each day of the air show you can do no wrong than to plonk yourself down on nearby Changi Beach and get some good ear-splitting angles of the various planes. Map below for the exact spot I got my snaps from.

The Singapore Air Show is both a trade and public exhibition where a number of “deals” go down behind the scenes between airplane manufacturers and airlines although this year these deals were slim (ie. non existent) pickings.

I don’t know enough about military planes to talk about their mach performances and the amount of GEES that the pilots were undergoing. Just peruse the pics instead.  It was pretty cool!

 

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